British artist Alex Allmont uses rhythmic effects to quietly raise attention, drawing upon tipping points in perception to explore the boundary between consonance and dissonance. His work aims to sustain moments of realisation as stable states emerge in dynamic systems.
His kinetic LEGO sculptures originated during his MA at Oxford Brookes as part of his practice integrating sound, music and performance. His exhibited work is playful in nature and uses site to gently inform context rather than specifying motives. This makes them accessible to a broad audience, spanning art, science, history and education.
His latest work derives from questions on the relevance of the performer in sound art and music, and the relationship between them and the audience. Each piece is wholly deterministic but exhibits flaws that bring a human quality to the sound. Rather than being present in person, a performer is invented in the mind of the audience, of fering a more personal and internal exploration of sound.
Alex’s work has been exhibited at BEAM, Raven Row, the Museum of the History of Science, the Mechanical Art and Design Museum, Festival of the Spoken Nerd and AudioGraft. His present research at Brookes investigates the inference of structure from transitional states, such as polyrhythm drifting out of phase, how we perceive these rhythms, and new ways of interacting with them.